- Fuzz and glitch oscillator create a wide variety of out of this world tones.
- Fuzz circuit is constantly pushing and pulling the oscillator to related frequencies.
- Envelope and manual control of oscillator frequency for a huge range of sounds.
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For use with electric guitar, bass, drum machines, groove boxes or just about anything that will make a sound. The Harmonic Antagonzier is a fuzz, oscillator and noise making machine. -
An overdrive for guitarists needing their amp to sound great at any volume. The all jFet design stacks well with other overdrives, pushes your tube amp for more sustain, and most importantly sounds great on its own through a clean amp at any volume. -
Up to 3 days to ship.
- 70s style 3 oscillator monophonic synthesizer for guitar.
- Eleven oscillator presets.
- Eleven algorithm resets control the filter, amp, LFOs and more.
- Fully analog filter with resonance control.
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- Parallel analog and digital fuzz
- 11 wave shaper fuzz types and 1 analog fuzz
- 11 savable presets
- Full MIDI control of all parameters
- MIDI controlled 4 voice polyphonic synthesizer
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An analog synth pedal that actually sounds like... A SYNTH.
The Octasynth’s origins date back to the early days of Subdecay and our love of old analog synth tone. Over the course of six years this effect was designed and redesigned more a dozen times until we got everything right - Perfection is not simply an issue of tone. In a stompbox it’s about simplicity and control.
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- World's first octave modulator / octave shift pedal.
- World's first shepard tone guitar synthesizer.
- LFO and envelope octave shifting.
- All analog filter design.
- Inspired by old school synthesizers and the 8 bit computing era.
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- Phase distortion guitar synth.
- 3 Oscillators + 1 Sub-oscillator.
- 37 programmable parameters.
- 11 User presets.
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- MS20 inspired filter design.
- Craft your own monster creations and save them to 11 user presets.
- 121 factory patches you can use as is or as starting points for your own creations.
- 40 editable parameters including 3 LFOs, envelope shapes, overdrive, tremolo and even the LED color.
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- Envelope and sample/hold filter in one compact pedal.
- All analog signal path.
- Digital control for tap tempo and switching between envelope and random sample/hold filtering.
- Simple and easy to controls making it perfect for live use.
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Multi-mode Phaser
The Quasar v4 offers eleven modes paired with a simple control surface. An abundance of non-traditional options are on tap. Rhythmic modulation patterns. Sci-fi discombobulation. Envelope speed control. Traditional phaser and rotary tones are in the box too, but you want more, right? Something different? Something that stands out?- All analog phaser.
- Synchronized tremolo and chopper effects.
- Active volume regulation. This eliminates the drastic volume disparities typical of many phasers.
- Wide range of traditional and experimental sounds.
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- All analog flanging based on bucket brigade technology. (MN3207)
- 6 synth inspired LFO shapes.
- Redesigned for more headroom & warmer tone ranging from nearly transparent to over the top.
- Manual and Depth control add new versatility.
- No volume drop
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Spring Reverb Plus.
Up to 1 week to ship- Spring reverb and bonus “room” reverb mode.
- Decay control to dampen or expand reverb.
- Retain your tone with all analog clean signal path.
- Trails option when bypassed
- Separate controls for the reverb and dry signal levels.
- Redesigned preamp for tube like dynamics and feel.
- Tone control for subtlety or in your face splash.
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- All Parameters controllable via MIDI.
- Eleven user presets.
- Eleven warp-able LFO shapes.
- Programmable tremolo sequencer 4- 32 steps.
- Tap tempo with division from 16 beats to 32nd notes.
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- Harmonic and Bias tremolo in one unit.
- Envelope speed control - Pick attack can slow down or speed up the tremolo by using the drift knob.
- Dedicated external volume knob helps make up for perceived volume loss.
- Speed and intensity go beyond classic amp design limitations for maximum throb and chop.
- All analog design.
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Vector Overview
Sometimes you just want to get things done. Hauling multiple amps around isn't fun. Tearing up your pedalboard to record a fleeting inspiration just slows you down. Enter the Vector Analog Preamp. It's like eleven pedals in one, but without all the gimmicky features that often make "multi" pedals difficult to use. The Vector uses digital technology to control multiple gain stages and a full internal tone stack. This gives you unmatched tonal variation with easy to use familiar controls, Volume, Tone and Gain. The Vector won't get in the way or eat up half of your pedalboard. -
- Tracking modes create musical harmonic structures in any key.
- Turn tracking off for classic fixed carrier sounds.
- Easy to dial in live, or extend ring modulation range with the entropy switch.