Brian: So tell us about how the M3 was created. What was going on? How did it get started? Brian: Sure. Right from the inception of Subdecay, I harbored an audacious dream – to birth a synth pedal that'd defy the boundaries of convention, or at least sound like an actual synthesizer instead of
Toni & MAS Distro get together at The Pearl Recording Studio and share what they love about one of the best selling Subdecay pedals of all time.
Over the years we’ve received emails from folks wanting a deeper explanation of how their pedals work. Some want an overview. Others want to get to the details and and nuances. As much as I enjoy the topic, I don’t always have the time. So you’ll be seeing more posts from us with explanations
Subdecay is proud to announce the new eleven channel Vector Preamp. The Oregon pedal maker merges their early roots of fuzz and overdrive with their current design ethos. The Vector uses digitally controlled analog gain stages and an internal tonestack to pack eleven channels of overdrive and fuzz into a stunningly compact pedal. The
Guitar is a naturally noisy instrument. Throw 50 decibels of gain at it, crank your amp, and it’s safe to say there will be some noise. It’s amazing that any guitar rig isn’t a noise nightmare. Our copper wound guitar pickups make great antennas, and if you are anywhere near electricity 60 cycle hum
Who has a soft spot for the DOD FX series? If you are a guitarist of a certain age you’ve probably owned a few of these. Maybe you still have one in the closet covered in grayish brown dust and almost certainly missing the battery door. When DOD got their start in the mid